Cameras don’t shoot people. Wagner shoots people.

Early in its development, photography was considered little more than a mechanistic recording technique. Then Paul Strand burst on the scene, and making photographs became a legitimate art form.

Few photographs qualify more utterly as creative works than Wagner’s people, places and modern-day frescoes. In color, she reveals and celebrates her subjects in all their vibrant quirkiness. Her black and white palette demonstrates the mature confidence of vision that cuts to the heart of the matter.

Browsing through this gallery, you’ll emerge with a faintly altered slant on our world. Though you may not be able to articulate it, it’ll leave you changed just the same.


“Photography has been a keen interest of mine since I moved to New York in 1977 … In Spain during Semana Santa, I fell in love with black and white all over again.”

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